Relationship between Business Level Strategy, Corporate Level Strategy Essay

Connection between Business Level Strategy, Corporate Level Strategy and Network Level Strategy - Essay Example As the report talks about effective business level techniques rely upon sound client base. Distinguishing proof of the gatherings of clients, the necessities and inclinations of those client gatherings and the center capabilities that the firm will use to fulfill the client needs structure the premise of the business level systems. In this manner the key issues the firm should address while settling on the business level methodologies are the idea of products and ventures the firm needs to offer the clients, how to create such merchandise and enterprises and how the merchandise and ventures can be proficiently be disseminated. When shaped the business level technique reflects where and how the firm has a bit of leeway over its opponents. This paper focuses on that Corporate Level Strategy determines moves the firm makes to increase an upper hand by choosing and dealing with a gathering of various organizations contending in a few ventures and item advertises. A corporate level technique esteem is dictated by how much the various fragments of organizations will demonstrate worth to proceed under a similar administration of the organization than they would be under some other type of association or possession. Accordingly a viable corporate level methodology makes over all the specialty units of the firm aggregate returns that will surpass those profits which the organization would gain without the corporate procedure. It additionally adds to the vital intensity of the firm. The firm’s capacity to win better than expected returns would likewise be improved.... When shaped the business level procedure reflects where and how the firm has a favorable position over its opponents. (Slater and Olsen 2000) 3.0 Corporate Level Strategy: Corporate Level Strategy determines moves the firm makes to increase an upper hand by choosing and dealing with a gathering of various organizations contending in a few businesses and item showcases. Markides (1997) portrays that a corporate level methodology is relied upon to enable the firm to win better than expected returns by making esteems similarly likewise with the expanded association's business level methodologies. A corporate level technique esteem is controlled by how much the various portions of organizations will demonstrate worth to proceed under a similar administration of the organization than they would be under some other type of association or possession. Along these lines a compelling corporate level system makes over all the specialty units of the firm aggregate returns that will surpass those profits which the organization would gain without the corporate methodology. It likewise adds to the vital seriousness of the firm. The company's capacity to win better th an expected returns would likewise be improved. 4.0 Network level Strategy: The Network level methodology characterizes between hierarchical connections. Approaching different coordinated efforts builds the probable hood that extra upper hands will be shaped as the arrangement of assets and capacities being shared grow. (Rudberg and Olihager 2003) One of the essential advantages of a system level technique is the company's chance to access a huge number of firms' assets and capacities. At the point when this happens the likelihood significantly builds, that accomplices will discover interesting approaches to remarkably share their assets and capacities to shape upper hands.

The Antacid Rocket Experiment

The Antacid Rocket Experiment On the off chance that your kid has attempted the Naked Egg Experiment, he has perceived how the synthetic response between calcium carbonate and vinegar can expel an eggshell. On the off chance that he’s attempted The Exploding Sandwich Bag Experiment, at that point he knows a smidgen about corrosive base responses. Presently he can saddle that response make a flying item in this Antacid Rocket Experiment. With some open space outside and a little alert your kid can send a hand crafted rocket into the air by the intensity of a bubbly response. Note: The Antacid Rocket Experiment used to be known as the Film Canister Rockets, yet with computerized cameras assuming control over the market, it’s become increasingly hard to track down void film canisters. On the off chance that you can film canisters, that’s extraordinary, however this investigation suggests you utilize small scale MM cylindrical holders or spotless, void paste stick compartments. What Your Child Will Learn (or Practice): Logical inquiryObserving concoction reactionsThe Scientific Method Materials Needed: Smaller than usual MMs tube, a tidy spent paste stick holder or a film canisterHeavy paper/card stockTapeMarkersScissorsBaking sodaVinegarTissuesAntacid tablets (Alka-Seltzer or a conventional brand)Soda (discretionary) Tissues are not a need for this trial, yet utilizing tissue can assist with postponing the synthetic response sufficiently long to give your youngster some an opportunity to escape the way. Make Baking Soda and Vinegar Rockets Have your youngster sketch out and beautify a little rocket on a bit of substantial paper. Request that her cut out the rocket and set it to the side.Help your youngster cut the â€Å"hinge† holding the spread to the MMs tube so it goes ahead and off. This will be the base of the rocket.Give her another bit of overwhelming paper and have her move it around the cylinder, ensuring the base of the rocket is effectively available. At that point, have her tape it firmly set up. (She may need to slice the paper to make it fit better).Glue the rocket she attracted and slice out to the front of the cylinder to make the entire thing look progressively like a genuine rocket.Move outside to a reasonable, open zone and open the containerFill it one-quarter full with vinegar.Wrap 1 teaspoon of preparing soft drink in little bit of tissue.Warning: You should act rapidly in this progression! Stuff the collapsed tissue in the cylinder, snap it shut and stand it up (with the cover down) on the ground. Move away!Watch the rocket pop right very high after the tissue breaks up in the vinegar. Make an Antacid Rocket Utilize a similar rocket from the preparing pop and vinegar analyze, making a point to clear it completely first.Take off the spread and put a stomach settling agent tablet into the cylinder. You may need to break it into pieces to get everything to fit. You can utilize nonexclusive acid neutralizer tablets however Alka-Seltzer works better than conventional brands.Add a teaspoon of water to the cylinder, snap on the spread and put the rocket - cover down - on the ground.Watch what happens once the water breaks up the stomach settling agent tablet. What’s Going On The two rockets are working under a similar standard. A preparing pop and vinegar blend and the water and stomach settling agent mix make a corrosive base compound response that discharges carbon dioxide gas. The gas fills the cylinder and the gaseous tension forms to a point where it is too incredible to possibly be contained. That’s when the cover flies off and the rocket flies high up. Expand the Learning Trial with various kinds of paper and how much preparing pop and vinegar you use. It might help make the rocket fly higher, quicker, or even be composed to a countdown.Ask your kid think about how the various rockets functioned. Which worked better?Substitute soft drink for water in the stomach settling agent rocket and check whether it works in an unexpected way.

Women and Weed Books To Help You Celebrate 420!

Women and Weed Books To Help You Celebrate 420! Happiest and haziest of 420s to you all. Whether you partake or just want to educate yourself, there are tons of books on the market. via GIPHY For those that dont know, 420 is the national cannabis enthusiasts holiday. The origins of 420 are murky at best, but whats not murky is the underrepresentation of women and people of color in the burgeoning legal marijuana industry. Much like publishing in general, white men hold the primary positions of visibility and power. I originally wanted this list to be a diverse celebration of marijuana-related books written by and for women: cooking, growing, general knowledge, etc. What this post ended up being, due to an extreme lack of diversity in the industry and the market, is a list of marijuana books by mostly white women. I wish they werent. I personally know several cannabis activists in the industry who are people of color and I hate that they are so underrepresented in this little corner of non-fiction. But in an industry that is up to 99% white and 80% male in some states (numbers are tricky since legalization is state-to-state at this time), and one where stigma has often forced authors to hide behind pseudonyms, its not surprising. That being said, I encourage your to check out the work of The Dank Duchess, Mona Zhang, Supernova Women, Shaleen Title, The High Ends, Wanda James, Sue Taylor, The Hood Incubator, and  The Minority Cannabis Business Association, among others. Mary Jane: The Complete Marijuana Handbook for Women by Cheri Sicard While I loathe the for women in the title, because all the other books dont say for men, I appreciate Sicard taking the time to write a book about marijuana geared specifically toward women. I super appreciate how modern and un-crunchy this book is. It lays out a lot of information, from strain basics, to simple recipes for edibles, to marijuana industry careers, in a clean layout peppered with gorgeous photography. If you like Sicards style, I would also recommend her cookbook:  The Easy Cannabis Cookbook: 60+ Medical Marijuana Recipes for Sweet and Savory Edibles. The ABCs of CBD: The Essential Guide for Parents (And regular folks too) Why Pot Is NOT What We Were Taught. by Shira Adler Even my ultra-conservative family is starting to dabble in CBD for pain relief. For the uninitiated, THC is what makes weed feel good and makes you hazy, CBD is what makes weed make you feel less pain. CBD is regulated quite differently from its more wild counterpart, and as a result is popping up in topical products for pain-relief worldwide. Adler does a much better job that I just did of breaking down the science and explaining the technicalities, so, yeah, you should probably read this one. BREAKING THE GRASS CEILING: WOMEN, WEED BUSINESS by Ashley Picillo and Lauren Devine This book is a fantastic collection of personal essays from 21 pioneering women in the cannabis industry: Kristi Lee Kelly, marijuana industry financial expert and dispensary owner; Dr. Sue Sisley, pioneering M.D. using marijuana to treat PTSD in veterans; Wanda James, the first black woman to own a dispensary in the U.S.;  Giadha Aguirre de Carcer, the founder and CEO of New Frontier Data, the leading cannabis Big Data Analytics reporting provider in the world; Rachel K. Gillette, leading marijuana attorney; and more. Ganja Yoga: A Practical Guide to Conscious Relaxation, Soothing Pain Relief, and Enlightened Self-Discovery by Dee Dussault If youre interested in using marijuana to enhance your spirituality or your relaxation, Dussaults Ganja Yoga is a comprehensive and welcoming addition to your shelves. And if youre worried this title is going to veer too hippy-dippy for your taste, theres a solid amount of science and research between these evergreen pages. (Im really trying to show restraint on the puns…Im trying so very hard.) Cannabis Revealed: How the worlds most misunderstood plant is healing everything from chronic pain to epilepsy by Bonni Goldstein M.D. One of the major platforms for marijuana advocacy is its efficacy in treating the symptoms of various medical conditions. Dr. Goldstein has been practicing medicine in California for years and her book is a fantastically thorough exploration of the way marijuana affects the human body and how it can be used to treat 28 different medical conditions ranging from ADHD to fibromyalgia to glaucoma to schizophrenia. Cooking with Cannabis: Delicious Recipes for Edibles and Everyday Favorites by Laurie Wolf Laurie Wolf is a legend in the edibles world. The New Yorker has even called her  The Martha Stewart of Marijuana Edibles. If youre only going to own one marijuana cookbook, make it this one for its comprehensive palate and delicious recipes. I really love that the focus isnt strictly on sweets. There are over 70 tasty recipes in this book, some gluten-free and vegan options included. The Pot Book: A Complete Guide to Cannabis by Julie Holland Much like Cheri Sicards Mary Jane (see above), The Pot Book covers a broad range of marijuana-related material: medical uses and effects, political and legal information, scientific research, and cultural information. If you want a comprehensive, footnote-laden book to really dive into the deep end on this ganja thing, this is the book to buy. The Cannabis Spa at Home: How to Make Marijuana-Infused Lotions, Massage Oils, Ointments, Bath Salts, Spa Nosh, and More by Sandra Hinchliffe Ready to get your kitchen witch on with a selection of preservative- and major allergenâ€"free recipes for pampering yourself? Ready to do all that with the added benefit of pain-relieving and relaxation-enhancing weed? I thought so. Hinchliffes book is a solid option for those who may not have access to store-bought marijuana products, or for those who prefer the DIY approach. However you choose to celebrate 420, remember its puff, puff, pass. No one likes a weed hog. Also, consume responsibly. Sign up for True Story to receive nonfiction news, new releases, and must-read forthcoming titles.

Differences Between Population and Sample Standard Deviations

When considering standard deviations, it may come as a surprise that there are actually two that can be considered. There is a population standard deviation and there is a sample standard deviation. We will distinguish between the two of these and highlight their differences. Qualitative Differences Although both standard deviations measure variability, there are differences between a population and a sample standard deviation. The first has to do with the distinction between statistics and parameters. The population standard deviation is a parameter, which is a fixed value calculated from every individual in the population. A sample standard deviation is a statistic. This means that it is calculated from only some of the individuals in a population. Since the sample standard deviation depends upon the sample, it has greater variability. Thus the standard deviation of the sample is greater than that of the population. Quantitative Difference We will see how these two types of standard deviations are different from one another numerically. To do this we consider the formulas for both the sample standard deviation and the population standard deviation. The formulas to calculate both of these standard deviations are nearly identical: Calculate the mean.Subtract the mean from each value to obtain deviations from the mean.Square each of the deviations.Add together all of these squared deviations. Now the calculation of these standard deviations differs: If we are calculating the population standard deviation, then we divide by n,  the number of data values.If we are calculating the sample standard deviation, then we divide by n -1, one less than the number of data values. The final step, in either of the two cases that we are considering,  is to take the square root of the quotient from the previous step. The larger the value of n is, the closer that the population and sample standard deviations will be. Example Calculation To compare these two calculations, we will start with the same data set: 1, 2, 4, 5, 8 We next carry out all of the steps that are common to both calculations.  Following this out calculations will diverge from one another and we will distinguish between the population and sample standard deviations. The mean is (1 2 4 5 8) / 5 20/5 4. The deviations are found by subtracting the mean from each value: 1 - 4 -32 - 4 -24 - 4   05 - 4 18 - 4 4. The deviations squared are as follows: (-3)2 9(-2)2 402 012 142 16 We now add these squared deviations and see that their sum is 9 4 0 1 16 30. In our first calculation, we will treat our data as if it is the entire population.  We divide by the number of data points, which is five.  This means that the population variance is 30/5 6.  The population standard deviation is the square root of 6. This is approximately 2.4495. In our second calculation, we will treat our data as if it is a sample and not the entire population.  We divide by one less than the number of data points.  So, in this case, we divide by four.  This means that the sample variance is 30/4 7.5.  The sample standard deviation is the square root of 7.5.  This is approximately 2.7386. It is very evident from this example that there is a difference between the population and sample standard deviations.

The Dinosaurs and Prehistoric Animals of Wyoming

Should A Heart Transplant Continue Essay - 1129 Words

It is widely recognised that conducting violent research against moral is a crime, such as the experiments at the Nazi camp. However, it is a controversy on how to treat the results from these unethical researches. In my point of view, the results are separate from the moral obligations to the researcher, although the suffering and rights should be seriously respected. The results from unethical researches should be accessible to the public due to its value and validity, but should also be published and referenced under restrictions. Despite the methodology of a research is unethical, its results can still be used ethically and provide benefits to the society. Although the experiment is tainted with violence, the scientific data stand neutral. They are objective facts that exist in nature. They should be allowed to be accessed and used ethically for a greater interest. Baruch C. Cohen has raise an interesting scenario: should a heart transplant continue to proceed if the doctor has murdered the donor to obtain the heart? In this situation, the donor is dead and there is no way to save him, yet the receiver can potentially survive with the new heart. Although the heart is tainted by unethical procedure, but it is clear that the transplant should continue to maximise the overall benefit. Same applies to the research results. We cannot reverse what has been done to the participants, but at least the results should cherished and used to save more lives. Some of the data obtainedShow MoreRelatedEssay about Organ Trans plants for Prisoners1411 Words   |  6 PagesIn the article â€Å"Wanted, Dead or Alive? Kidney Transplants in Inmates Awaiting Execution†, Jacob M. 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I Am Deciding Whether To Get A 3rd Generation Or 2nd Generation Mazda Essay Example For Students

I Am Deciding Whether To Get A 3rd Generation Or 2nd Generation Mazda Essay RX-7. The 3rd generation was made from 1993-1995 and is known as the RX-7 Twin turbo or FD3S. The 2nd generation that I am considering was made from 1989-1991 and is known as the RX-7 Turbo II or the FC3S. The FD has a more modern rounded look, kind of like a Dodge Viper or the Chevy Corvette C5. The FC is a little less rounded but more sharp or square, like a Porsche 944. To begin, the power is a little different of the two cars. First of all they both have 13B rotary engines, but the FD has twin sequential turbochargers and the FC has a single turbo. The FD makes about 255 horsepower and 220 lb-ft of torque. The FC has 200 horsepower and 196 lb-ft of torque. The bottom end power is much better on the FD because it has the twin sequential turbochargers, which means it will be easier to drive around in traffic. The FC will have a little turbo lag, which means it will take a little longer for the power to come on, so it might be a little sluggish in traffic. Since the 3rd generation has more power it is faster than the 2nd generation. The FD does 0-60 in about 5 seconds and the quarter mile in about 14 seconds at 100 mph. The FC does 0-60 in about 6.5 seconds and the quarter in about 14.4 seconds at 93 mph. Second, the prices of the two cars are a little different. Obviously, the newer 3rd generation will be more. It will range anywhere from $10,000 for a piece of junk to $25,000 for one in good condition. The 2nd generation will go anywhere from $2,000 for a piece of junk to about $12,000 for a really nice one. The cheaper I get one, the more money I will have left over to modify it. Third, maintenance is always a big concern when it comes to RX-7s. The FD is much more complicated and not as reliable as the FC. This is mostly because of the very complex sequential turbo system, which has over 60 vacuum hoses that tend to break, or pop of causing the car not to work right. The FC is a little simpler since it only has one turbo and there is no need for a bunch of vacuum hoses. So when it comes to maintenance the 2nd generation will be much more easier and cheaper. Finally, there are many things to consider when modifying these cars. There are many parts available for both models, so that isnt something to worry about. The 3rd generation will need a computer upgrade if you do more than two things to free up air flow (exhaust, down-pipe, mid-pipe, intake). If you dont upgrade the computer the engine will run dangerously lean and might blow up. On the FC the computer upgrade isnt as mandatory, but you will need to get a fuel cut defender, which is much cheaper than a computer upgrade. To conclude, I think Im leaning closer to the 3rd generation FD, even though I like them both. Getting the 2nd generation will save me a lot of money; but I think I will spend the extra money in getting the 3rd generation, which will result in having a faster and more modern looking car. I wish I could get them both.

Hostel Life.Doc free essay sample

Short essay on Life in the Hostel A hostel is a shelter for the students who come from far off places. Students live there with each other and learn the value of discipline and co-operation. The atmosphere of a hostel is conducive to study. Generally, hostels are situated close to school or college. Thus the teachers have direct watch and supervision over the students in the hostels. Further, it saves time of the students for study. The hostel life is a disciplined life. Life in a hostel is helpful to the students. It teaches them a sense of responsibility in matters of taking care of books, clothes and health. Students do all the works with their own hands. Thus they become self-dependent. They try to manage themselves with the money from their father. They try to adjust themselves with all kinds of situations. The students in hostel feel that they are not alone. We will write a custom essay sample on Hostel Life.Doc or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The superintendent of the hostel acts as the father of a family. The students adhere to a new routine life. They pay hostel dues and mess dues etc. in time. If the payment is delayed, they will be in trouble. Students have their study hour and meal hour in hostel. They do not get any scope to neglect their study. They are free from the worries of home. They devote themselves sincerely to their studies. A hostel is like a family of students with the superintendent as the head. Students develop a sense of friendship and fellow feeling. They read, play, dine and sit together. In hostel, students exchange their books. A student, thus, does not need to buy all the books. Further, reading in company is more helpful to them than reading alone. Sometimes, the hostel life does not suit some students. Homesick students neglect their study and dislike the hostel atmosphere. Some other types of students think that hostel life provides ample freedom to them. They misuse their freedom and indulge in rough activities. For their deterioration, the hostel life cannot be blamed.

Corporal Punishment Essays - Behavior, Human Behavior, Parenting

Corporal Punishment Essays - Behavior, Human Behavior, Parenting Corporal Punishment Corporal Punishment " Children needs Discipline but not hitting" (Walker, n.d,). In this quo te, Walker expresses the idea that e ffective discipline can help children learn how to control their behavior so that they act responsibly to attest to what is wrong and right. This happens not because they are afraid of punishment, but because they are truthful because they think it is a wrong thing to lie. Discipline can also be called corporal punishment which is further define as a punishment meant to cause pain on a person or an intentional infliction of physical pain for a perceived misbeh avior for example spanking. Pinching, sl apping and hitting with objects (Block, 2004) . While corporal punishment is easy to define, it is less easy to justify as the best strategy for disciplining children. It is usually imposed in settings with a significant inequality of power between the people who participate in it. The opposition claims tha t spanking is not good for kids because of its detrimental effects on children. t his claim is supported with the following reasons: It leads to aggression, it affects parent's child relationship, it has its psychological effect, it causes anti- social behavior, lower cognitive abilities, and an increase risk of being abused by their parents. The more children are spanked, the more aggressive and antisocial they were. Children who were spanked are more likely to have mental health problem, problematic relationship with other parents and lower cognitive ability (Kaylor, 2016). Although many people believe that corporal punishment is the most effective form of discipline, in contrast, the use of corporal punishment as means of discipline will result in behavioral disorders as illustrated by: factors that include aggression, antisocial behavior, physical injury, and mental health problems for children. Background Histo rically, it has been reviewed that corporal punishment may lead to adverse child effect (Gershoff, Kaylor tr , 2002). The review showed that spanking was associated with 13 of the 17 outcomes examined , and all showed spanking was linked with several negative developing results for children who had tested corporal punishment including distraction, anti-social behavior, poor academic accomplishment, poor affection, and lack of parent- child warmth and mental health for example hopelessness, depression and others including substances and alcohol abuse. During the nineteenth century, it was argued that corporal punishment should not be used for academic errors and suggested that learning occurred best with encouragement and kindness (Fellenberg, n.d.). for example, during my high school days, I was afraid of my chemistry teacher which lead to my inability to achieve success in that subjec t all because of spanking given to me by the teacher . This is one of the evidence why Disciplinary spanking should be banned, there is no justification for spanking, Corporal punishme nt is ineffective in long term. Spanking is bad for kids and should not be practiced in any form to correct a child's behavioral problem. Supporting Points/ Proof s Factors that leads to Aggression In as much as many people believe that corporal punishment is the most effective form of discipline, but in the other hand, the evidence shows that spanking is not an effective form of discipline because it is psychologically harmful to children. Although spanking can lead to immediate behavior modification, it does result in consequences that exceed more than the benefit s. F or example, spanking a child can cause aggression. Aggression is stimulated by external source, the stimuli being frustration (Dugan,2004 ). A state whereby the child will show violent behavior towards others or readiness to attack or confront. The child displays this behavior because he believes that every conflict is resolved with violence based on his experience. spanking can lead to immediate behavior modification, but the practice loses its effect overtime . child ren should not be spanked all the time to achieve positive result and to avoid behavioral disorder. (Pies,2016). Aggression can be associate d with verbal or physical abuse, therefore spanking should be banned in all settings, including homes. Factors that lead to Anti- Social Behavior Although, the opposition believes in corporal punishment, in contrast , spanking can lead to anti-social behavior which can be as a factor

Performance Evaluation Essay Example | Topics and Well Written Essays - 1250 words

Performance Evaluation - Essay Example In this context, continuous performance evaluation plays a significant role for determining the merit or worth of a program or solution. The ultimate purpose of determining the value is to provide the information to the top level managers, for formulating action-oriented decisions that helps in enhancing performance of programs and organizations. As stated by Guerra-Lopez (2008), â€Å"every component driven by the evaluation must be aligned with the organizations’ expectations and objectives and the decisions that will have to be made as a result of the evaluation findings† (Guerra-Lopez, 2008). Evaluation of performance helps in comparing the result with expectation. It also assists in preparing action plans for improving the programs and solutions being analyzed, so that expected performance is achieved and sustained as well as organizational contributions and objectives can be realized. Job description and performance appraisal are the important parts of performance evaluation. Performance evaluation can be performed for any operating objectives of an organization but here employees’ performance evaluation with respect to their job and performance appraisal of McDonald’s will be conducted. T... The company also employs a considerable number of around 1.7 million people in its chain of restaurants (McDonald’s Corporation, 2010). With these given virtues and with due consideration to the organizational objectives, performance evaluation can apparently be stated as a vital aspect in McDonald’s. McDonald's being in a service-oriented industry, the company requires providing significant consideration to the aspect of employee satisfaction and productivity with the purpose to attain superior customer satisfaction. Attaining sustainable growth through employee satisfaction and quality services to customers is among the most crucial objectives considered by the organization at present (McDonald’s Corporation, 2010). Therefore, it becomes quite essential for the organization to focus on the continuous performance evaluation of its employees and the organization as well so as to identify the continuous change in the customers’ preferences and the employee performances. Compensation Strategy In this competitive market, it has become quite challenging task for the employers to acquire and sustain productive, knowledgeable and talented manpower, especially in the service sector so as to gain sustainable growth. With due consideration to the fact that employees in terms of human resources are quite significant for organizational growth, training and evaluation have emerged to be the prime concern of the Human Resource Department (HRD). It is in this context that Human Resource Management (HRM) approaches are being provided with greater stress in order to enhance the contribution of employees in the overall organizational

QSAR Essay Example | Topics and Well Written Essays - 1500 words

QSAR - Essay Example The loaded values are expected to give descriptive information about the descriptors that will be interpreted in terms of significant biological correlation relationships. Notably, the experimental model applied in this study revealed that the main features describing the binding activities of the experimental compounds were partially charge-based receptors. This was an automatic measure of molecular electronic property. The same property can be used in an auto correlated that can be used to weigh substitute descriptors’ position. Additionally, the linear regression equation and its application can be used in predicting biological activity in the study. It is worth noting that the comparison of the result with the literature data indicates that the proposed quality of the model compared to the provided model compares well with the sophisticated 2D based method. Introduction The quantitative structured activity relationship, the QSAR techniques are currently suitable and indisp ensable in all research aspects especially in relation to biological molecular properties interpretation. Obviously, the chemical, biological, and or physical properties of a compound depend on the three dimensional (3D) molecular and atomic arrangement; however, the same properties can be examined in a two dimensional model. Notably, the capacity to produce qualitative and quantitative correlation between 2D molecular structures and their biological activities is fundamental in deciding what synthetic ways of bioactive chemicals. Numerous research works involving the application and use of QSAR have been applied in biological properties and structural determination of biological elements; for instance, the use of the Hansch molecule description. The QSARs analysis of the 2, 4- diamino – 5- (substituted benzyl) pyrimidines and 2,4 – diamino – 6 – dimethyl – 5 – phenyldihydrotriazines have suggested that neural network application have reliab le and effective results than normal or traditional application of the regression methods. In supplementation with the regression processes, other techniques of determination of the activity of the biological molecules have since been introduced. This includes the use of inductive logic programming (ILP) that has since used to model the QSAR particularly in the trimethoprim analogues binding from E. coli to DHFR. This technique applies mainly the physiochemical attributes that are usually assigned to substituent heuristically towards a general approach. This application or process is usually applied to the design problem of drugs. However, it should be noted that this method is not significantly better than the regression or the traditional QSAR method; however, it is noted to produce rules that are likely to provide insight into the stereochemistry of the biological molecules under determination. In most cases, such stereochemistry does help in determining the structure and to some extent, depending on the analysis, chemical properties of a molecule. It should be noted that more evidence are still required to assess these newly applied methods properly to ascertain the comparative trials and the analysis in numerous and different ways. The biological steroids activities usually vary considerably depending on seemingly small structural changes within or about a molecule. The fundamental molecular family usually represents very challenging characteristics for any method of prediction. This

Intrinsic Power And Political Organisations

Intrinsic Power And Political Organisations This papers first aim is to analyse as well as evaluate the different thoughts and views exist in the literature about Power and politics are intrinsic to organisations. The second goal is to represent the motivational approaches related to power and politics in organization. The final goal is to show and illustrate the concept of power and politics through the film Devil Wears Prada. The review of the literature on organizational power and politics reveals a growing interest on this subject throughout the last few decades. Power and politics are the two indisputable part of organization. Decision making and problem solving are the two vital factors which are interconnected with Power and politics. Actual conflicts in organisations are resolved by power and political skills of managers and leaders. Power and Politics, though closely related, share similarities and differences but ultimately work together for the success of an organization. Unity in diversity should be the positive ou tcome of power and politics in organization. Power and politics are the crucial medium through which conflicts and divergent interest are managed and resolved. Power and politics are called the heart of organization. In the first part I want to discuss different aspects of power in organizations. Power is defined as the ability to get someone to do something you want done or the ability to make things happen in the way you want them. (Schermerhorn, Hunt, and Osborn). Throughout history, human beings have been fascinated by power. In the earlier periods power is prescribed by the structure of the organization. Without reference to the works of Marx (1967) and Weber (1978) it is hard to make sense of organizational power. Power is conceptualized broadly within a system-rational model of organizational structure. Decision making and concomitant exercising of power (logical, optimal and adaptive response) bring changes in the organization and we can say that The Devil Wears Prada is an example of a movie which is unapologetically or maybe semi-apologetically fascinated with power of Miranda. Power is important within the organizations and moreover for the management to influence individuals to make t hings happen. Power is to organization as oxygen as to breathing (Bernard Crick 1982). All organizations require power but all power dont require organization. We cannot make serious enquiry in to the organization without an enquiry of power. Main conception of power is concentrated on Webers (1947) classic definition that power is the probability that a person can carry out his or her own will despite resistance. The concept of power is often expressed in the literature by the words the ability to à ¢Ã¢â€š ¬Ã‚ ¦ as by Salancik and Pfeffer (1977) and the ability to bring about outcomes you desire (Power politics and organizations: Andrew Kakabadse and Christopher Parker,P 22). There are four dimensions of power such as behavioural view (Dahl), political view (Bacharach and Baratz), radical structural view (Lukes) and relational approach (Foucault). (Management Organization, Linstead and Fulop ,2nd Edition P 282). Great men are almost always not good men as they exercise influence and authority. As example in the film Devil Wears Prada we have seen how Miranda has treated her assistant Andy. In organizations, power is considered to derive from numerous sources. French and Raven (1959) identified five sources of power such as coercive power, reward power, exert power, legitimate or position power and referent power. Etizoni has classified power as coercive power, utilitarian power and normative power. Robbins (1984) has discussed the comparisons between the sources of power and the means to exert influence that refers to bases of power. Blau(1964): Power is the ability of persons as groups to impose their will on others despite resistance through deterrence either in the form of withholding regularly supplied rewards or in the form of punishment inasmuch as the former, as well as the latter, constitutes in effect negative sanction. The definition by Parsons (1956) is an interactive formulation but within a structural framework: Power we may define as the realistic capacity of system-unit to actualize its interests within the context of system-interaction and in this sense exert influence on processes in the system. Organizations should have formal and informal rules for coordinating actions of different people. People of diverse background, particular interests and different understandings abide by these rules. A famous thought by Lord Acton: Power tends to corrupt and absolute power corrupts absolutely. Great men are almost always bad men, even when they exercise influence and not authority: still more when you super add the tendency or the certainty of corruption by authority (Lord Acton, 5 April 1987 to Bishop Mandell Creighton). The pluralists (Dahl1957, Wolfinger1971) claimed that power was equitably distributed around the society and no particular group had undue influence over decision making processes. The elitists (Bachrach and Baratz, 1962, Hunter1953, Mills1956) argued that power was concentrated in the hands of privileged few who controlled political agendas. The term power takes on different meanings when the unit or power holder is a formal group in an open system with multiple go als and the system is assumed to reflect a political-domination model of organization rather than only a co-operative model(Perrow 1970,P 84). In the film The Devil Wears Prada Miranda occasionally takes time from Andys daily routine and spreading fear and anxiety in her mind wherever she goes. In a scene Miranda tells Andy that I am your Master, you are dying to be like me, that is what Master (Miranda) never should say. This is all about her organizational power. In this part I want to represent the organizational politics with critical and mainstream approach. Organizational politics can be expressed as a social influence process in which behaviour is strategically designed to maximize short term or long term self-interest. Power and politics are the top two elements used in a company that either can cause the downfall or success of that organization. Politics is defined as the tactics used to obtain a desired goal, position or status in an organization. The power relationships in day-to-day relations could be understood by the political metaphor. If we consider the positive side then politics can be defined as A style of interaction which allows us to read and understand the situations, interpret them and exhibit the right kind of behaviour for inducing others to do what we want and do it willingly (Ferris,G.R,Davidson,S.l, and PerreweP.L (2005), political skill at work, P 9.Mountain view) And if we look at the negative side then it can be defined as The actions of individuals which are directed toward the goal of furthering our own self-interest without regard for the well-being of others or organization.(Kacmer,K.M. Carlson,D.S(1997),POPS A multiple sample investigation.Journal of Management,23, P 627). Political skill can influence organizational performance in different ways. The politically skilful managers and professionals often have higher job performance which is the building block for organizational performance. In the film Devil Wears Prada we have seen the politics of Emily (assistance of Miranda) as well as Miranda with Andy. For example, for facilitating the manufacture of a major new piece of equipment that is in demand from several customers, a project manager might use political skill. Political skill is positively associated with job performance in terms of quantity of work output, quality of workout and accuracy of work in organization. Thirty years ago J. Pffefer observed that organizations are more political than rational. Aristotle told that politics stems from a diversity of interests. Almost all employees bring their own interests, wants, desire, and needs in the organization. Robbins (2001) suggested that there are two forms of organizational politics, one is legitimate and other is illegitimate politics. Organizational leaders seek to satisfy not only organizational interests, but also their own wants and requirements, driven by self-interest. According to Farrell and Peterson the successful practice of organizational politics is perceived to lead to a higher level of power, and once a higher level of power is attained, there is more opportunity to engage in political behaviour. Politics are generated by structural cleavages in the organization among various component elements and identities, different values, affective, cognitive and discursive styles. Other causes of generation are the complexity and the degree of uncertainty, the external pressure coming from stakeholders or other actors and the history of past politics in the organization. If we accept the existence of power relations in organizations then politics and politicking are essential part of organization. Kissing up, passing the buck, apple polishing, covering your rear, creating conflict, forming coalitions, cunning, arrogant, scheming etc. are the negative terminology which are often used in organization as the political activity. Developing working relationships, encouraging change and innovation improving efficiency, facilitating teamwork, planning ahead, astute are the terminologies of positive aspect of organizational politics. The lack of concern with politics is the main void of organizational theory. Political alignment such as interest group of politics and coalition politics has an important effect on relations within organizations. In the film The Devil Wears Prada Miranda gives short orders and never likes to repeat herself. Andy is just supposed to know what she is talking about. Miranda wants her coffee as hot as brimstone, and sometimes even demands the unbelievable as at one point she demands a copy of a yet to be published Harry Potter book for her daughters. All these activities show the influence and organizational power of Miranda. The understanding of organizational politics requires a collective influence which is used by departments or subunits of organization to counter control and establish resistance pattern is described in Michel Croziers famous study The Bureaucratic phenomenon (1964). Most of the management and organization studies are based on Webers work as a simple affirmation of bureaucratic rationality. As example his work on Verstehen as an interpretive method for analysing human behaviour is almost completely ignored. The community power debate which was conducted during 1950s, 1960s, 1970s described the status of power as an empirical phenomenon. At the time of answering the question what is the structure and distribution of power in contemporary society? people were divided into two camps, one is pluralists (Dahl 1957, 1958, 1961, Wolfinger 1971) and other is elitists (Bachrach and Baratz ,1962,1963,Hunter 1953, Mills, 1956). The pluralists claimed that power was equitably distributed throughout society and there is no particular had undue influence over decision making processes. On the other side the elitists argued that power was concentrated in the hands of a privileged few who controlled political agendas. Then Dahl (1957) expressed that A has power over B to the extent that he or she can get B to do something that B would not otherwise do (Dahl 1957, PP. 202-203). On the other hand Bachrach and Baratz (1962) criticize Dahls explanation on concrete decision making situation , claiming that power is also exercised in non-decision making situations. All forms of political organization have a bias in favour of the exploitation of some kinds of conflict and the suppression of other because organization is the mobilization of bias. Some issues are organized into politics while others are organized out. (Schattschneider 1960, P 71, emphasis in original). Debate was increased when Lukess(1974) radical three dimensional view of power criticizes both Dahls one dimensional model and Bachrach and Baratzs two dimensional model. Decision making is a political interest which is resulting from the conflicts of interest characteristic of sub-goal differentiation within organization (Ganz and Murray, 1980, Mayes and Allen 1977, Rogers 1971, Vredenburgh and Maurer 1984). The dynamics of political behaviour is essential to understand for a full understanding of organizational functioning. The political character of organization life is rooted in non-bureaucratic decision mechanisms (Salancik and Pfeffer 1974, P 454) which is used to resolve the conflicts between organization and subunits. Gandz Murray (1980) expressed the difference between political and non-political uses of power. Miles (1980) asserts that it is important to recognize that politics need not be bad, though common parlance uses the term in a pejorative sense. The survival of an organization may depend on the success of a unit or coalition in overturning a traditional but out-dated formal organization objective or policy. Political activity can also be beneficial to organizations. If through the politicking of the marketing manager, changes in product are brought about which in turn provide commercial gains for the organization, then it could be claimed that such political behaviour is beneficial for organizations. A recent study developed a profile of individuals active in office politics based on a survey completed by a number of managers. The result indicated that managerial level, job function and sex were unrelated to political activity. However certain personality traits corresponded highly with the individual managers propensity to engage in office politics. The managerial person should avoid making their power open and explicit. Self-serving behaviour has a bad effect on organizations and its employees. Kanter (1979) told that People know who is holding power. Kanter has claimed that explicit claims to power are only made by the powerless. Office politics does exist in the organization regardi ng issues like departmental budget, space allocation, project responsibilities and salary adjustment (Robbins 2001). In the film Devil Wears Prada Miranda has done politics by choosing Andy to go to Paris with her over Emily and asked Andy to inform this to Emily, Again Miranda bypasses Nigel for a promotion so as to keep her own job secure as she was to be replaced and the information for which came from Andy. Thus organizational politics is blatantly portrayed here and is thus an excellent example. So far we have discussed the key aspects of power and politics. In this part I want to focus on motivation and discuss the relation between motivation and organization. Motivation is an essential part in organizations, both for the individual and for the organization as a whole. Motivational state or condition of a person has an impact or influence upon both behaviour and performance. Motivation to work is of great importance to us since we spend a lot of our time working in organizations (Michael W.Drafke and Stan Kossen., The Human Side of Organizations, Massachusetts: Addison/Wesley,1998,p.2-12). Pffefer (1981) has suggested that major characteristic often accompanying political behaviour is the attempt to conceal its true motivation. True motive was concealed because the actor believed that it was unacceptable. Motivation is equal important for manager and employee. In 1970 David McClelland and David Burnham published an article in Harvard Business Review called Power is the great Motivator. This article directly focused on managers motivatio n. A good manager is one who, among other things, helps subordinates feel strong and responsible, rewards them properly for good performance and sees that things are organised so that subordinates feel they know what they should be doing(McClelland,2003,P-109). In the film Devil Wears Prada Andy has motivated herself in different ways to be familiar with the new job environment in spite of rude behaviour of her boss Miranda. Recently the boundaries have widened and work and private life is much more connected to each other than past. In the past when one left his workplace, the person had less obligations or responsibility against the company (Karl Weick., Making sense of the Organization,Malden: Blackwell Publishing, 2006,P 207-210). Then Karl Marx stated that Freedom begins at the gates of the factory (Robert Tucker,The Marx-Engels reader,NewYork Norton,1978, P-440). Today people often bring their work home as well as colleagues socialize outside work (Weick). If employees are not motivated, no one would make an effort to work and companys performance would be less efficient. Vroom (1964) has developed expectancy theory from the original work of Tolman and Honzik(1930) and produced a systematic explanatory theory of workplace motivation. It claimed that the motivation to behave in a particular way is determined by an individuals expectation that behaviour will lead to a particular outcome, multiplied by the preference or valence that person has for that out-come. Vroom has argued that human behaviour is controlled by subjective probability. The equation is Motivation (M) = Expectation (E) * Valence (V). Abraham Maslows (1943, 1954) theory of motivation was the first theory to be applied to the world of work. He proposed that human beings have five needs (Self-Actualisation, Esteem, Social, Safety, and Physiological) and when these are not satisfied they provide the drive to act and set up the motivating mechanism. The most significance and potential value to managers attempting to understand the motivation in the workplace is the work of McClellands (1961) achievement theory. Herzbergs (1968) two-factor theory on intrinsic and extrinsic motivational factors affect what individuals perceive as the value or valance of particular outcomes which will influence both their performance and job satisfaction. Communication between employees and managers within the organization is an essential and vital ingredient of motivation. Employees are motivated by recognition and constructive feedback from their manager. Motivation is a complex, dynamic and culture based concept so there is no one universal theory which is applicable to motivation. Karl Marx said that Men make history but not under conditions of their own choosing. In spite of covert nature of power and politics it is real and important aspect of all organizations. We have discussed the unitary, pluralist, radical and relational view of power and politics in this essay. Managers can prevent the misuses of power by confirming that clear organizational goals, plans, and individual roles, and responsibilities are understood and followed. Power should be used to manipulate the understanding and interpretation of organizational events. According to pluralist, radical and relational perspectives on power and politics it is generic to organization. The unitary as well as pluralist views provide a comfort zone to deal with power and politics. Managers should be highly skilled in reflective practice and critical thinking if they want to understand the relational view of power and politics. Smart and clever manager can boost themselves or their career through power and p olitics. Politics involves cultivating influential allies, controlling the flow of information and influencing decisions through ones power base. Organizational politics have detrimental effect on employees moral, loyalty and trust. Some people think that practice of politics can be cunning and deceitful while other people believe that it can be motivator with positive result. To understand the organizational political behaviour Farrell and Peterson (1982) proposed a three dimensional typology. One dimension is where the political activity takes place (inside or outside the organization), second one is the direction of the attempted influence (vertically or laterally) and last one is legitimacy of the political action (Functional vs. Dysfunctional conflict) .The processes by which the organization is operated should be ethically based. There are many internal and external aspects of organization which are the cause of success and failure of organization. Organizations must insure th at decisions are not based on personal agendas or outside influences. Organizations should abide by their code of conduct to avoid conflict of interest. The effect of Power and Politics depends on how they are practiced in organization. All the approaches of power and politics have their own advantages and disadvantages. It is very important to understand the limits of power and authority, resistance and obedience in organizations. Fundamentally, power is shaped by what we know and how we know what to do in organization. Throughout this essay I have represented the critical approaches of power and politics and the relation with mainstream approaches. I am unable to point out any organization which has no implications of power and politics. I agree with the topic that power and politics are intrinsic to organization. I think that there should be more research on this topic to clarify in a more broad vision. REFRENCES Amos Drory, Tsilia Romm Politics in Organization and its Perception within the Organization. Andrew J. Dubrin Political Behaviours in Organizations Bronston T. Mayes, Robert W. Allen Toward A Definition of Organizational Politics Cavanagh G F., Moberg D J.,Velasquez M. The Ethics of Organizational Politics, The Academy of Management Review, Jul 01, 1981; Vol. 6, N. 3, p. 363-374. Clegg, Courpasson and Phillips Power and Organizations. Clegg CHAPTER 5 Managing Power And Politics in Organizations, Resistance, Empowerment, Ethics (P 151-190). David Buchanan, Andrzej Huczynski Organizational behaviour( Third Edition, P 667-702) Dennis K. Mumby, Purdue University Power and Politics ,(Chap 15) Ferris,G.R,Davidson,S.l, and PerreweP.L (2005), political skill at work, Mountain view. Gerald F. Cavanagh, Dennis J. Moberg, Manuel Velasquez The Ethics of Organizational Politics Gibson, Ivancevich, Donnelly, Konopaske Organizations behaviour, structure, Processes (Chap 10, P 275-295). Gilbert W. Fairholm, Organizational Power Politics, Tactics in Organizational Leadership Harvey, E., and R. Mills. Patterns of Organizational Adaptation: A Political Perspective, in Mayer Zald (Ed.), Power in Organizations (Nashville, Tenn.: Vanderbilt University Press, 1970), pp. 181-213. Ian Brooks Organizational Behaviour (P 233-258). Jackson, N Carter, P (2007). Rethinking Organizational Behaviour: A Poststructuralist Framework, Pearson Education. John Martin organizational behaviour Second Edition, P (807-884) John Bratton, Peter Sawchuk, Carolyn Forshaw, Militza Callinam and Martin Corbett Work and Organizational behaviour( Second Edition) Joseph W.Weiss Organizational Behaviour and Chang, managing diversity, cross-cultural dynamics and ethics.(Second Edition). Julieta Dà ¡vila, Samuel Hernà ¡ndez, Vicente Peralta Organizational Conflict, Power and Politics (June 2004). Kacmer,K.M. Carlson,D.S(1997), A multiple sample investigation Journal of Management. Kakabadse ,A Parkar,C(eds) Power and Politics and Organizations: A Behavioural Science view, London John Wiley Knights, D. and H. Willmott (eds.) (2007) Introducing Organizational Behaviour Management. London: Thomson. Laurie J. MullinsManagement and Organizational behaviour (Ninth Edition). Linstead, S., L. Fulop and S. Lilley, (eds) (2004) Management and Organization: A Critical Text. Basingstoke: (Second edition). Samuel B. Bacharach and Edward J. Lawer Power And Politics in Organization Zaleznik, A. Power and Politics in Organizational Life, Harvard Business Review, Vol. 48, No. 3 (1970), 47-60. . .

The Ideal Man Defined in The Fountainhead :: Fountainhead

The Ideal Man Defined in The Fountainhead  Ã‚     Ã‚   Ayn Rand has based her novel, The Fountainhead on the projection of an ideal man.   It is the portrayal of a moral ideal as an end in itself.   She has placed 'man-worship' above all and has brought out the significance of the heroic in man. Man-worshippers are those who see man's highest potential and strive to actualize it.   They are dedicated to the exaltation of man's self esteem and the sacredness of his happiness on earth. The Fountainhead has brought out the greatness of man - the capacity, the ability, the integrity and honesty in man - as an ideal to be achieved.   It is based on the idea of romanticism which means that "it is concerned not with things as they are but with things as they might be and ought to be." The Fountainhead is the story of an architect, Howard Roark-, whose genius and integrity were as unyielding as granite and of his desperate battle waged against the conventional standards of society.   It is a tale of hatred and denunciation unleashed by the society against a great innovator; of a man who has great conviction in himself; of a person who believes that man's first right on earth is the right of the ego and that man's first duty is the duty to himself, a man who redefines egoism.   An egoist, in the absolute sense, is not the man who sacrifices others to self.   He is the man who stands above the need of using others in any manner. Roark doesn't function through others. He needs no other men. His primary goal is to achieve perfection. He is a man with uncompromising values and integrity. In order to make her philosophy clearer, Ayn Rand has simultaneously given an account of people like Peter Keating and Ellsworth M. Toohey.   Peter Keating - a man who cheats and lies but preserves a respectable front.   He knows himself to be dishonest but others think he is honest and he derives his self-respect from that.   His aim in life is greatness - in other people's eyes.   Other people dictated his conviction which he did not hold but he was satisfied that others believed he held them.   Others were his prime concern.   He didn't want to be great but to be thought great.   He borrowed from others to make an impression on others.

Literary Analysis of Ernest Hemingway Essay

Stewart, Matthew C (2000) quite rightly points out that: If literary quality is a register of how deeply an author has felt the subject matter about which he writes, then Hemingway felt very deeply about his war experiences, for these are some of his finest stories. They are â€Å"In Another Country,† â€Å"Now I Lay Me,† and â€Å"A Way You’ll Never Be. † The first story very clearly anticipates A Farewell to Arms in its opening paragraph, its setting and the themes it raises. It depicts the ruined lives of wounded soldiers in a hospital, in particular the physical therapy of the American narrator and an Italian major. It is clear that the physical therapy is useless and that some sort of metaphysical, perhaps spiritual, therapy would be more fundamentally valuable for the psychically battered men. The second story, as stated above, depicts Nick and an Italian soldier lying awake at night near the front, unable to sleep. The American narrator dreads sleeping because he fears that his soul will leave his body. The final story depicts Nick Adams returning to the Italian front as a would-be morale booster, but he has been shot, receiving a head-wound that has rendered him barely able to control himself at the front. Indeed, his principal task is to hold onto his sanity. These three war stories are remarkable for their literary quality, for their high degree of autobiographical resonance, and for the way they illuminate A Farewell to Arms and each other. Most to the immediate purpose, however, is to assert that they constitute additional early evidence that Nick Adams was severely traumatized by the war. Lynn and Crews build a version of Hemingway as a world-renowned, middle-aged author pulling the wool over the eyes of friends and critics during the forties and fifties. Twenty-five years after the fact, they maintain, Hemingway fabricates the idea that the war affected him. Yet â€Å"In Another Country† and â€Å"Now I Lay Me† were composed only two years after â€Å"Big Two-Hearted River,† and â€Å"A Way You’ll Never Be† was composed in mid-1932. These are Nick Adams stories; they are set at the war; they show Nick as physically and psychically wounded. The opening pages of â€Å"Now I Lay Me† even echo many particulars of â€Å"Big Two-Hearted River,† including the central action of trout fishing as psychic restoration. Hemingway’s finest explorations of the human consequences of war. Hemingway discussed his war nightmares with his first wife in the 1920s for the same reason? Hemingway as both young and middle-aged man undoubtedly kidded, exaggerated, misled, pulled legs, manipulated, hoaxed, and lied. But the existence of these early war stories argues strongly against the idea that Hemingway decided to lay claim to the importance of the war in his work belatedly and factitiously. The incapacity to find his way through questions he cannot solve, his reticence the admission of his own weakness, those familiar steps on the path of the individualist–bring Hemingway’s contemporary to desertion on principle. The theme of desertion is not new to Hemingway. Long ago Nick Adams fled from his home town, then he fled to the front. But here too the brave arditti decorated with all sorts of medals is a potential deserter at heart. For example, that if all the stories about Nick Adams were collected and entitled â€Å"In Our Time† they would not have the structure which In Our Time does have. â€Å"The Killers† and â€Å"Now I Lay Me† might fit, but â€Å"Fathers and Sons† and â€Å"A Way You’ll Never Be† would not. Hemingway’s favorite hero-ever the same under his changing names–and you begin to realize that what had seemed the writer’s face is but a mask, and by degrees you begin to discern a different face, that of Nick Adams, Tenente Henry, Jake Barnes, Mr. Johnson, Mr. Frazer. Hemingway shows us how complicated he is by his very attempts to be simple. A tangle of conflicting strains and inconsistencies, a subtle clumsiness, a feeling of doubt and unrest are to be seen even in Hemingway’s earlier books as early as his presentation of Nick Adams’s cloudless young days, but as he proceeds on the way of artistic development these features show increasingly clear and the split between Hemingway and reality widens. Closely following the evolution of his main hero you can see how at first Nick Adams is but a photo film fixing the whole of life in its simplest tangible details. Then you begin to discern Nick’s ever growing instinct of blind protest, at which the manifestations of his will practically stop. The well trained athletic body is full of strength, it seeks for moments of tension that would justify this sort of life and finds them in boxing and skiing, in bull fighting and lion hunting, in wine and women. He makes a fetish of action for action, he revels in â€Å"all that threatens to destroy. † But the mind shocked by the war, undermined by doubt, exhausted by a squandered life, the poor cheated, hopelessly mixed up mind fails him. The satiated man with neither meaning nor purpose in life is no longer capable of a prolonged consecutive effort. â€Å"You oughtn’t to ever do anything too long† and we see the anecdote of the lantern in the teeth of the frozen corpse grow into a tragedy of satiety when nothing is taken in earnest any longer, when â€Å"there is no fun anymore. † Action turns into its reverse, into the passive pose of a stoic, into the courage of despair, into the capacity of keeping oneself in check at any cost, no longer to conquer, but to give away, and that smilingly. The figure of Jake mutilated in the war grows into a type. It is the type of a man who has lost the faculty of accepting all of life with the spontaneous case of his earlier days. For example the wounded Nick says to Rinaldi†You and me we’ve made a separate peace. We’re not patriots. † Tenente Henry kills the Italian sergeant when the latter, refusing to fulfill his order, renounces his part in the war, but inwardly he is a deserter as well and on the following day we actually see him desert. â€Å"In the fall the war was always there, but we did not go to it any more† ( â€Å"In Another Country†). This theme of sanctioned treason, or desertion in every form, so typical of the â€Å"extreme individualist, recurs throughout Hemingway’s work. But to learn to do it is no easy job, especially for one whose sight is limited by the blinders of sceptical individualism. Life is too complicated and full of deceit. The romance of war had been deceit, it is on deceit that the renown of most writers rests. The felicity of the Eliot couple is but self-deceit; Jake is cruelly deceived by life; for Mr. Frazer everything is deceit or self-deceit, everything is dope–religion, radio, patriotism, even bread. There is despair in the feeling of impending doom, and morbidity in the foretaste of the imminent loss of all that was dear. All stories if continued far enough end in death, and he is no true-story teller who would keep that from you. Especially do all stories of monogamy end in death, and your man who is monogamous while he often lives most happily, dies in the most lonesome fashion. There is no lonelier man in death except the suicide, than that man who has lived many years with a good wife and then outlives her. If two people love each other there can be no happy end to it. † A variety of later stories– ‘The Revolutionist,†In Another Country,†A Simple Enquiry,†Now I Lay Me,†A Way You’ll Never Be’–affirm the various phases of Hemingway’s thesis: the suffering of the war, the resistances and defenses of his people, their ways of ignoring the scene around them which apparently they cannot control. The depression of the nineteen-thirties was thus a sort of shock to our writers, rather like the insulin treatment in modern therapy, which brought them back from the shadows of apathy to American life at best, and active hostility at worst. This much of the expression of the thirties Hemingway anticipates in his own withdrawal and return to our common life, though the pattern will vary with our other literary figures, and with John Dos Passos and William Faulkner we have both an apparent exception to the rule and a real one. But we cannot deny that if the return to social sanity through shock is better than no return, it is in the end a method of desperation rather than a counsel of perfection. Our Americans are also to show its effect in their work of the decade, as Hemingway has already. The crisis of the new age has caught him well along in his career. Can he discover, who has discovered so much and left much unsaid, the genuine method of unifying his work and his times, the fusion of the ‘I’ and the ‘we’ which will further illuminate the tragic impulses he has made his own? We recall the phrase which summarized Hemingway’s solitary position: ‘a way you’ll never be. ‘ With such native capacities, the inheritance of wisdom and eloquence, the sense of bottomless intuitions we often have with Hemingway, the prophetic texture which marks his talent, will Hemingway now find a way to be? For what a marvelous teacher Hemingway is, with all the restrictions of temperament and environment which so far define his work! What could he not show us of living as well as dying, of the positives in our being as well as our destroying forces, of ‘grace under pressure’ and the grace we need with no pressures, of ordinary life-giving actions along with those superb last gestures of doomed exiles! Tenente Henry enjoys the definite, clear-cut relations between people, the good comradeship â€Å"We felt held together by there being something that had happened, that they did not understand,† and the feeling of risk while it lasts. But soon along with the debacle at Caporetto he finds himself faced by the cruelty of the rear, choked by its lies and filth, hurt by the hatred of the working people to gli ufficiali. And as his shellshock had lost him his sleep so does the stronger shock of war make him a different man. By the time the war is over he has learned to discern â€Å"liars that lie to nations† and to value their honeyed talk at what it is worth. Year after year Hemingway steadily elaborated his main lyrical theme, creating the peculiar indirectly personal form of his narrative (Soldier’s Home, Now I Lay Me), sober on the surface, yet so agitated; and as the years went by, the reader began to perceive the tragic side of his books. It became more and more apparent that his health was a sham, that he and his heroes were wasting it away. Hemingway’s pages were now reflecting all that is ugly and ghastly in human nature, it became increasingly clear that his activity was the purposeless activity of a man vainly attempting not to think, that his courage was the aimless courage of despair, that the obsession of death was taking hold of him, that again and again he was writing of the end–the end of love, the end of life, the end of hope, the end of all. The bourgeois patrons and the middle-class readers tamed by prosperity, were gradually losing interest in Hemingway. To follow him through the concentric circles of his individualistic hell was becoming a bit frightening and a bit tedious. He was taking things too seriously. In early days both critics and readers had highly admired the â€Å"romantic† strength, the â€Å"exotic† bull-fights, â€Å"the masculine athletic style;† but now Hemingway’s moments of meditation, his too intent gazing at what is horrible, According Hannum (1992) the trial of courage Nick so often faced had begun at least by the time of the Boulton episode. The doctor’s backing down before Boulton no doubt spurred Nick’s long fascination with boxing (his immediate recognition of Stanley Ketchel, Ad Francis, and Ole Andreson in the road stories) and his own concern with fistfights (the brakeman and Ad) and other challenges to his own courage. In â€Å"The Light of the World† he flinched and put up money when the bartender threatened Tom and him (292); in â€Å"The Battler† he smarted under the brakeman’s trick punch, then found himself briefly overmatched in the near-fight with Ad (101-02), but in â€Å"The Killers† he risked his life to warn Ole Andreson. In â€Å"In Another Country† Nick considered himself a dove in contrast to his â€Å"hunting-hawk† (208) comrades in Milan, though he learned a new courage from the Italian major whose wife died of pneumonia, and in â€Å"A Way You’ll Never Be† puked and fell back in his first infantry attack (314), but thereafter found courage in grappa. (Hannum 92) Conclusion If on closing Hemingway’s books you recall and assort the disjoined pieces of the biography of his main hero you will be able to trace the decisive points of his life. Nick–first a tabula rasa, then turning away from too cruel a reality; Henry struggling for his life and trying to assert its joys, Jake and Mr. Johnson–already more than half broken and Mr. Frazer–a martyr to reflection and growing passivity. So we witness both the awakening and the ossification of the hero whose psychology is so intimately known to Hemingway himself, and as opposed to it a file of brave and stoic people–the Negro in â€Å"Battler,† the imposing figures of Belmonte and Manola, the broken giant Ole Andreson; in a word–those people for whom Hemingway’s double has so strong an instinctive liking, first worshipped as heroes and then brought down to earth. Works Cited Hannum, Howard L.†Ã¢â‚¬ Scared Sick Looking at It†: A Reading of Nick Adams in the Published Stories. † Twentieth Century Literature 47. 1 (2001) Hemingway, Ernest. â€Å"The Art of the Short Story. † Ernest Hemingway: A Study of the Short Fiction. Ed. Joseph M. Flora. Boston: Twayne, 1989. 129-44. Nolan, Charles J. Jr. â€Å"Hemingway’s Complicated â€Å"Enquiry† in ‘Men without Women. ‘. † Studies in Short Fiction 32. 2 (1995) Nolan, Charles J. Jr. â€Å"Hemingway’s Puzzling Pursuit Race. † Studies in Short Fiction 34. 4 (1997) Paul, Steve. â€Å"†Ã¢â‚¬ËœDrive,’ He Said†: How Ted Brumback Helped Steer Ernest Hemingway into War and Writing. † The Hemingway Review 27. 1 (2007) Paul, Steve. â€Å"Preparing for War and Writing What the Young Hemingway Read in the Kansas City Star, 1917-1918. † The Hemingway Review 23. 2 (2004) Stewart, Matthew C. â€Å"Ernest Hemingway and World War I: Combatting Recent Psychobiographical Reassessments, Restoring the War. † Papers on Language & Literature 36. 2 (2000) Tyler, Lisa. â€Å"Hemingway’s Italy: New Perspectives. † The Hemingway Review 26. 2 (2007)

Literary Analysis of Ernest Hemingway Essay

Stewart, Matthew C (2000) quite rightly points out that: If literary quality is a register of how deeply an author has felt the subject matter about which he writes, then Hemingway felt very deeply about his war experiences, for these are some of his finest stories. They are â€Å"In Another Country,† â€Å"Now I Lay Me,† and â€Å"A Way You’ll Never Be. † The first story very clearly anticipates A Farewell to Arms in its opening paragraph, its setting and the themes it raises. It depicts the ruined lives of wounded soldiers in a hospital, in particular the physical therapy of the American narrator and an Italian major. It is clear that the physical therapy is useless and that some sort of metaphysical, perhaps spiritual, therapy would be more fundamentally valuable for the psychically battered men. The second story, as stated above, depicts Nick and an Italian soldier lying awake at night near the front, unable to sleep. The American narrator dreads sleeping because he fears that his soul will leave his body. The final story depicts Nick Adams returning to the Italian front as a would-be morale booster, but he has been shot, receiving a head-wound that has rendered him barely able to control himself at the front. Indeed, his principal task is to hold onto his sanity. These three war stories are remarkable for their literary quality, for their high degree of autobiographical resonance, and for the way they illuminate A Farewell to Arms and each other. Most to the immediate purpose, however, is to assert that they constitute additional early evidence that Nick Adams was severely traumatized by the war. Lynn and Crews build a version of Hemingway as a world-renowned, middle-aged author pulling the wool over the eyes of friends and critics during the forties and fifties. Twenty-five years after the fact, they maintain, Hemingway fabricates the idea that the war affected him. Yet â€Å"In Another Country† and â€Å"Now I Lay Me† were composed only two years after â€Å"Big Two-Hearted River,† and â€Å"A Way You’ll Never Be† was composed in mid-1932. These are Nick Adams stories; they are set at the war; they show Nick as physically and psychically wounded. The opening pages of â€Å"Now I Lay Me† even echo many particulars of â€Å"Big Two-Hearted River,† including the central action of trout fishing as psychic restoration. Hemingway’s finest explorations of the human consequences of war. Hemingway discussed his war nightmares with his first wife in the 1920s for the same reason? Hemingway as both young and middle-aged man undoubtedly kidded, exaggerated, misled, pulled legs, manipulated, hoaxed, and lied. But the existence of these early war stories argues strongly against the idea that Hemingway decided to lay claim to the importance of the war in his work belatedly and factitiously. The incapacity to find his way through questions he cannot solve, his reticence the admission of his own weakness, those familiar steps on the path of the individualist–bring Hemingway’s contemporary to desertion on principle. The theme of desertion is not new to Hemingway. Long ago Nick Adams fled from his home town, then he fled to the front. But here too the brave arditti decorated with all sorts of medals is a potential deserter at heart. For example, that if all the stories about Nick Adams were collected and entitled â€Å"In Our Time† they would not have the structure which In Our Time does have. â€Å"The Killers† and â€Å"Now I Lay Me† might fit, but â€Å"Fathers and Sons† and â€Å"A Way You’ll Never Be† would not. Hemingway’s favorite hero-ever the same under his changing names–and you begin to realize that what had seemed the writer’s face is but a mask, and by degrees you begin to discern a different face, that of Nick Adams, Tenente Henry, Jake Barnes, Mr. Johnson, Mr. Frazer. Hemingway shows us how complicated he is by his very attempts to be simple. A tangle of conflicting strains and inconsistencies, a subtle clumsiness, a feeling of doubt and unrest are to be seen even in Hemingway’s earlier books as early as his presentation of Nick Adams’s cloudless young days, but as he proceeds on the way of artistic development these features show increasingly clear and the split between Hemingway and reality widens. Closely following the evolution of his main hero you can see how at first Nick Adams is but a photo film fixing the whole of life in its simplest tangible details. Then you begin to discern Nick’s ever growing instinct of blind protest, at which the manifestations of his will practically stop. The well trained athletic body is full of strength, it seeks for moments of tension that would justify this sort of life and finds them in boxing and skiing, in bull fighting and lion hunting, in wine and women. He makes a fetish of action for action, he revels in â€Å"all that threatens to destroy. † But the mind shocked by the war, undermined by doubt, exhausted by a squandered life, the poor cheated, hopelessly mixed up mind fails him. The satiated man with neither meaning nor purpose in life is no longer capable of a prolonged consecutive effort. â€Å"You oughtn’t to ever do anything too long† and we see the anecdote of the lantern in the teeth of the frozen corpse grow into a tragedy of satiety when nothing is taken in earnest any longer, when â€Å"there is no fun anymore. † Action turns into its reverse, into the passive pose of a stoic, into the courage of despair, into the capacity of keeping oneself in check at any cost, no longer to conquer, but to give away, and that smilingly. The figure of Jake mutilated in the war grows into a type. It is the type of a man who has lost the faculty of accepting all of life with the spontaneous case of his earlier days. For example the wounded Nick says to Rinaldi†You and me we’ve made a separate peace. We’re not patriots. † Tenente Henry kills the Italian sergeant when the latter, refusing to fulfill his order, renounces his part in the war, but inwardly he is a deserter as well and on the following day we actually see him desert. â€Å"In the fall the war was always there, but we did not go to it any more† ( â€Å"In Another Country†). This theme of sanctioned treason, or desertion in every form, so typical of the â€Å"extreme individualist, recurs throughout Hemingway’s work. But to learn to do it is no easy job, especially for one whose sight is limited by the blinders of sceptical individualism. Life is too complicated and full of deceit. The romance of war had been deceit, it is on deceit that the renown of most writers rests. The felicity of the Eliot couple is but self-deceit; Jake is cruelly deceived by life; for Mr. Frazer everything is deceit or self-deceit, everything is dope–religion, radio, patriotism, even bread. There is despair in the feeling of impending doom, and morbidity in the foretaste of the imminent loss of all that was dear. All stories if continued far enough end in death, and he is no true-story teller who would keep that from you. Especially do all stories of monogamy end in death, and your man who is monogamous while he often lives most happily, dies in the most lonesome fashion. There is no lonelier man in death except the suicide, than that man who has lived many years with a good wife and then outlives her. If two people love each other there can be no happy end to it. † A variety of later stories– ‘The Revolutionist,†In Another Country,†A Simple Enquiry,†Now I Lay Me,†A Way You’ll Never Be’–affirm the various phases of Hemingway’s thesis: the suffering of the war, the resistances and defenses of his people, their ways of ignoring the scene around them which apparently they cannot control. The depression of the nineteen-thirties was thus a sort of shock to our writers, rather like the insulin treatment in modern therapy, which brought them back from the shadows of apathy to American life at best, and active hostility at worst. This much of the expression of the thirties Hemingway anticipates in his own withdrawal and return to our common life, though the pattern will vary with our other literary figures, and with John Dos Passos and William Faulkner we have both an apparent exception to the rule and a real one. But we cannot deny that if the return to social sanity through shock is better than no return, it is in the end a method of desperation rather than a counsel of perfection. Our Americans are also to show its effect in their work of the decade, as Hemingway has already. The crisis of the new age has caught him well along in his career. Can he discover, who has discovered so much and left much unsaid, the genuine method of unifying his work and his times, the fusion of the ‘I’ and the ‘we’ which will further illuminate the tragic impulses he has made his own? We recall the phrase which summarized Hemingway’s solitary position: ‘a way you’ll never be. ‘ With such native capacities, the inheritance of wisdom and eloquence, the sense of bottomless intuitions we often have with Hemingway, the prophetic texture which marks his talent, will Hemingway now find a way to be? For what a marvelous teacher Hemingway is, with all the restrictions of temperament and environment which so far define his work! What could he not show us of living as well as dying, of the positives in our being as well as our destroying forces, of ‘grace under pressure’ and the grace we need with no pressures, of ordinary life-giving actions along with those superb last gestures of doomed exiles! Tenente Henry enjoys the definite, clear-cut relations between people, the good comradeship â€Å"We felt held together by there being something that had happened, that they did not understand,† and the feeling of risk while it lasts. But soon along with the debacle at Caporetto he finds himself faced by the cruelty of the rear, choked by its lies and filth, hurt by the hatred of the working people to gli ufficiali. And as his shellshock had lost him his sleep so does the stronger shock of war make him a different man. By the time the war is over he has learned to discern â€Å"liars that lie to nations† and to value their honeyed talk at what it is worth. Year after year Hemingway steadily elaborated his main lyrical theme, creating the peculiar indirectly personal form of his narrative (Soldier’s Home, Now I Lay Me), sober on the surface, yet so agitated; and as the years went by, the reader began to perceive the tragic side of his books. It became more and more apparent that his health was a sham, that he and his heroes were wasting it away. Hemingway’s pages were now reflecting all that is ugly and ghastly in human nature, it became increasingly clear that his activity was the purposeless activity of a man vainly attempting not to think, that his courage was the aimless courage of despair, that the obsession of death was taking hold of him, that again and again he was writing of the end–the end of love, the end of life, the end of hope, the end of all. The bourgeois patrons and the middle-class readers tamed by prosperity, were gradually losing interest in Hemingway. To follow him through the concentric circles of his individualistic hell was becoming a bit frightening and a bit tedious. He was taking things too seriously. In early days both critics and readers had highly admired the â€Å"romantic† strength, the â€Å"exotic† bull-fights, â€Å"the masculine athletic style;† but now Hemingway’s moments of meditation, his too intent gazing at what is horrible, According Hannum (1992) the trial of courage Nick so often faced had begun at least by the time of the Boulton episode. The doctor’s backing down before Boulton no doubt spurred Nick’s long fascination with boxing (his immediate recognition of Stanley Ketchel, Ad Francis, and Ole Andreson in the road stories) and his own concern with fistfights (the brakeman and Ad) and other challenges to his own courage. In â€Å"The Light of the World† he flinched and put up money when the bartender threatened Tom and him (292); in â€Å"The Battler† he smarted under the brakeman’s trick punch, then found himself briefly overmatched in the near-fight with Ad (101-02), but in â€Å"The Killers† he risked his life to warn Ole Andreson. In â€Å"In Another Country† Nick considered himself a dove in contrast to his â€Å"hunting-hawk† (208) comrades in Milan, though he learned a new courage from the Italian major whose wife died of pneumonia, and in â€Å"A Way You’ll Never Be† puked and fell back in his first infantry attack (314), but thereafter found courage in grappa. (Hannum 92) Conclusion If on closing Hemingway’s books you recall and assort the disjoined pieces of the biography of his main hero you will be able to trace the decisive points of his life. Nick–first a tabula rasa, then turning away from too cruel a reality; Henry struggling for his life and trying to assert its joys, Jake and Mr. Johnson–already more than half broken and Mr. Frazer–a martyr to reflection and growing passivity. So we witness both the awakening and the ossification of the hero whose psychology is so intimately known to Hemingway himself, and as opposed to it a file of brave and stoic people–the Negro in â€Å"Battler,† the imposing figures of Belmonte and Manola, the broken giant Ole Andreson; in a word–those people for whom Hemingway’s double has so strong an instinctive liking, first worshipped as heroes and then brought down to earth. Works Cited Hannum, Howard L.†Ã¢â‚¬ Scared Sick Looking at It†: A Reading of Nick Adams in the Published Stories. † Twentieth Century Literature 47. 1 (2001) Hemingway, Ernest. â€Å"The Art of the Short Story. † Ernest Hemingway: A Study of the Short Fiction. Ed. Joseph M. Flora. Boston: Twayne, 1989. 129-44. Nolan, Charles J. Jr. â€Å"Hemingway’s Complicated â€Å"Enquiry† in ‘Men without Women. ‘. † Studies in Short Fiction 32. 2 (1995) Nolan, Charles J. Jr. â€Å"Hemingway’s Puzzling Pursuit Race. † Studies in Short Fiction 34. 4 (1997) Paul, Steve. â€Å"†Ã¢â‚¬ËœDrive,’ He Said†: How Ted Brumback Helped Steer Ernest Hemingway into War and Writing. † The Hemingway Review 27. 1 (2007) Paul, Steve. â€Å"Preparing for War and Writing What the Young Hemingway Read in the Kansas City Star, 1917-1918. † The Hemingway Review 23. 2 (2004) Stewart, Matthew C. â€Å"Ernest Hemingway and World War I: Combatting Recent Psychobiographical Reassessments, Restoring the War. † Papers on Language & Literature 36. 2 (2000) Tyler, Lisa. â€Å"Hemingway’s Italy: New Perspectives. † The Hemingway Review 26. 2 (2007)

Literary Analysis of Ernest Hemingway Essay

Stewart, Matthew C (2000) quite rightly points out that: If literary quality is a register of how deeply an author has felt the subject matter about which he writes, then Hemingway felt very deeply about his war experiences, for these are some of his finest stories. They are â€Å"In Another Country,† â€Å"Now I Lay Me,† and â€Å"A Way You’ll Never Be. † The first story very clearly anticipates A Farewell to Arms in its opening paragraph, its setting and the themes it raises. It depicts the ruined lives of wounded soldiers in a hospital, in particular the physical therapy of the American narrator and an Italian major. It is clear that the physical therapy is useless and that some sort of metaphysical, perhaps spiritual, therapy would be more fundamentally valuable for the psychically battered men. The second story, as stated above, depicts Nick and an Italian soldier lying awake at night near the front, unable to sleep. The American narrator dreads sleeping because he fears that his soul will leave his body. The final story depicts Nick Adams returning to the Italian front as a would-be morale booster, but he has been shot, receiving a head-wound that has rendered him barely able to control himself at the front. Indeed, his principal task is to hold onto his sanity. These three war stories are remarkable for their literary quality, for their high degree of autobiographical resonance, and for the way they illuminate A Farewell to Arms and each other. Most to the immediate purpose, however, is to assert that they constitute additional early evidence that Nick Adams was severely traumatized by the war. Lynn and Crews build a version of Hemingway as a world-renowned, middle-aged author pulling the wool over the eyes of friends and critics during the forties and fifties. Twenty-five years after the fact, they maintain, Hemingway fabricates the idea that the war affected him. Yet â€Å"In Another Country† and â€Å"Now I Lay Me† were composed only two years after â€Å"Big Two-Hearted River,† and â€Å"A Way You’ll Never Be† was composed in mid-1932. These are Nick Adams stories; they are set at the war; they show Nick as physically and psychically wounded. The opening pages of â€Å"Now I Lay Me† even echo many particulars of â€Å"Big Two-Hearted River,† including the central action of trout fishing as psychic restoration. Hemingway’s finest explorations of the human consequences of war. Hemingway discussed his war nightmares with his first wife in the 1920s for the same reason? Hemingway as both young and middle-aged man undoubtedly kidded, exaggerated, misled, pulled legs, manipulated, hoaxed, and lied. But the existence of these early war stories argues strongly against the idea that Hemingway decided to lay claim to the importance of the war in his work belatedly and factitiously. The incapacity to find his way through questions he cannot solve, his reticence the admission of his own weakness, those familiar steps on the path of the individualist–bring Hemingway’s contemporary to desertion on principle. The theme of desertion is not new to Hemingway. Long ago Nick Adams fled from his home town, then he fled to the front. But here too the brave arditti decorated with all sorts of medals is a potential deserter at heart. For example, that if all the stories about Nick Adams were collected and entitled â€Å"In Our Time† they would not have the structure which In Our Time does have. â€Å"The Killers† and â€Å"Now I Lay Me† might fit, but â€Å"Fathers and Sons† and â€Å"A Way You’ll Never Be† would not. Hemingway’s favorite hero-ever the same under his changing names–and you begin to realize that what had seemed the writer’s face is but a mask, and by degrees you begin to discern a different face, that of Nick Adams, Tenente Henry, Jake Barnes, Mr. Johnson, Mr. Frazer. Hemingway shows us how complicated he is by his very attempts to be simple. A tangle of conflicting strains and inconsistencies, a subtle clumsiness, a feeling of doubt and unrest are to be seen even in Hemingway’s earlier books as early as his presentation of Nick Adams’s cloudless young days, but as he proceeds on the way of artistic development these features show increasingly clear and the split between Hemingway and reality widens. Closely following the evolution of his main hero you can see how at first Nick Adams is but a photo film fixing the whole of life in its simplest tangible details. Then you begin to discern Nick’s ever growing instinct of blind protest, at which the manifestations of his will practically stop. The well trained athletic body is full of strength, it seeks for moments of tension that would justify this sort of life and finds them in boxing and skiing, in bull fighting and lion hunting, in wine and women. He makes a fetish of action for action, he revels in â€Å"all that threatens to destroy. † But the mind shocked by the war, undermined by doubt, exhausted by a squandered life, the poor cheated, hopelessly mixed up mind fails him. The satiated man with neither meaning nor purpose in life is no longer capable of a prolonged consecutive effort. â€Å"You oughtn’t to ever do anything too long† and we see the anecdote of the lantern in the teeth of the frozen corpse grow into a tragedy of satiety when nothing is taken in earnest any longer, when â€Å"there is no fun anymore. † Action turns into its reverse, into the passive pose of a stoic, into the courage of despair, into the capacity of keeping oneself in check at any cost, no longer to conquer, but to give away, and that smilingly. The figure of Jake mutilated in the war grows into a type. It is the type of a man who has lost the faculty of accepting all of life with the spontaneous case of his earlier days. For example the wounded Nick says to Rinaldi†You and me we’ve made a separate peace. We’re not patriots. † Tenente Henry kills the Italian sergeant when the latter, refusing to fulfill his order, renounces his part in the war, but inwardly he is a deserter as well and on the following day we actually see him desert. â€Å"In the fall the war was always there, but we did not go to it any more† ( â€Å"In Another Country†). This theme of sanctioned treason, or desertion in every form, so typical of the â€Å"extreme individualist, recurs throughout Hemingway’s work. But to learn to do it is no easy job, especially for one whose sight is limited by the blinders of sceptical individualism. Life is too complicated and full of deceit. The romance of war had been deceit, it is on deceit that the renown of most writers rests. The felicity of the Eliot couple is but self-deceit; Jake is cruelly deceived by life; for Mr. Frazer everything is deceit or self-deceit, everything is dope–religion, radio, patriotism, even bread. There is despair in the feeling of impending doom, and morbidity in the foretaste of the imminent loss of all that was dear. All stories if continued far enough end in death, and he is no true-story teller who would keep that from you. Especially do all stories of monogamy end in death, and your man who is monogamous while he often lives most happily, dies in the most lonesome fashion. There is no lonelier man in death except the suicide, than that man who has lived many years with a good wife and then outlives her. If two people love each other there can be no happy end to it. † A variety of later stories– ‘The Revolutionist,†In Another Country,†A Simple Enquiry,†Now I Lay Me,†A Way You’ll Never Be’–affirm the various phases of Hemingway’s thesis: the suffering of the war, the resistances and defenses of his people, their ways of ignoring the scene around them which apparently they cannot control. The depression of the nineteen-thirties was thus a sort of shock to our writers, rather like the insulin treatment in modern therapy, which brought them back from the shadows of apathy to American life at best, and active hostility at worst. This much of the expression of the thirties Hemingway anticipates in his own withdrawal and return to our common life, though the pattern will vary with our other literary figures, and with John Dos Passos and William Faulkner we have both an apparent exception to the rule and a real one. But we cannot deny that if the return to social sanity through shock is better than no return, it is in the end a method of desperation rather than a counsel of perfection. Our Americans are also to show its effect in their work of the decade, as Hemingway has already. The crisis of the new age has caught him well along in his career. Can he discover, who has discovered so much and left much unsaid, the genuine method of unifying his work and his times, the fusion of the ‘I’ and the ‘we’ which will further illuminate the tragic impulses he has made his own? We recall the phrase which summarized Hemingway’s solitary position: ‘a way you’ll never be. ‘ With such native capacities, the inheritance of wisdom and eloquence, the sense of bottomless intuitions we often have with Hemingway, the prophetic texture which marks his talent, will Hemingway now find a way to be? For what a marvelous teacher Hemingway is, with all the restrictions of temperament and environment which so far define his work! What could he not show us of living as well as dying, of the positives in our being as well as our destroying forces, of ‘grace under pressure’ and the grace we need with no pressures, of ordinary life-giving actions along with those superb last gestures of doomed exiles! Tenente Henry enjoys the definite, clear-cut relations between people, the good comradeship â€Å"We felt held together by there being something that had happened, that they did not understand,† and the feeling of risk while it lasts. But soon along with the debacle at Caporetto he finds himself faced by the cruelty of the rear, choked by its lies and filth, hurt by the hatred of the working people to gli ufficiali. And as his shellshock had lost him his sleep so does the stronger shock of war make him a different man. By the time the war is over he has learned to discern â€Å"liars that lie to nations† and to value their honeyed talk at what it is worth. Year after year Hemingway steadily elaborated his main lyrical theme, creating the peculiar indirectly personal form of his narrative (Soldier’s Home, Now I Lay Me), sober on the surface, yet so agitated; and as the years went by, the reader began to perceive the tragic side of his books. It became more and more apparent that his health was a sham, that he and his heroes were wasting it away. Hemingway’s pages were now reflecting all that is ugly and ghastly in human nature, it became increasingly clear that his activity was the purposeless activity of a man vainly attempting not to think, that his courage was the aimless courage of despair, that the obsession of death was taking hold of him, that again and again he was writing of the end–the end of love, the end of life, the end of hope, the end of all. The bourgeois patrons and the middle-class readers tamed by prosperity, were gradually losing interest in Hemingway. To follow him through the concentric circles of his individualistic hell was becoming a bit frightening and a bit tedious. He was taking things too seriously. In early days both critics and readers had highly admired the â€Å"romantic† strength, the â€Å"exotic† bull-fights, â€Å"the masculine athletic style;† but now Hemingway’s moments of meditation, his too intent gazing at what is horrible, According Hannum (1992) the trial of courage Nick so often faced had begun at least by the time of the Boulton episode. The doctor’s backing down before Boulton no doubt spurred Nick’s long fascination with boxing (his immediate recognition of Stanley Ketchel, Ad Francis, and Ole Andreson in the road stories) and his own concern with fistfights (the brakeman and Ad) and other challenges to his own courage. In â€Å"The Light of the World† he flinched and put up money when the bartender threatened Tom and him (292); in â€Å"The Battler† he smarted under the brakeman’s trick punch, then found himself briefly overmatched in the near-fight with Ad (101-02), but in â€Å"The Killers† he risked his life to warn Ole Andreson. In â€Å"In Another Country† Nick considered himself a dove in contrast to his â€Å"hunting-hawk† (208) comrades in Milan, though he learned a new courage from the Italian major whose wife died of pneumonia, and in â€Å"A Way You’ll Never Be† puked and fell back in his first infantry attack (314), but thereafter found courage in grappa. (Hannum 92) Conclusion If on closing Hemingway’s books you recall and assort the disjoined pieces of the biography of his main hero you will be able to trace the decisive points of his life. Nick–first a tabula rasa, then turning away from too cruel a reality; Henry struggling for his life and trying to assert its joys, Jake and Mr. Johnson–already more than half broken and Mr. Frazer–a martyr to reflection and growing passivity. So we witness both the awakening and the ossification of the hero whose psychology is so intimately known to Hemingway himself, and as opposed to it a file of brave and stoic people–the Negro in â€Å"Battler,† the imposing figures of Belmonte and Manola, the broken giant Ole Andreson; in a word–those people for whom Hemingway’s double has so strong an instinctive liking, first worshipped as heroes and then brought down to earth. Works Cited Hannum, Howard L.†Ã¢â‚¬ Scared Sick Looking at It†: A Reading of Nick Adams in the Published Stories. † Twentieth Century Literature 47. 1 (2001) Hemingway, Ernest. â€Å"The Art of the Short Story. † Ernest Hemingway: A Study of the Short Fiction. Ed. Joseph M. Flora. Boston: Twayne, 1989. 129-44. Nolan, Charles J. Jr. â€Å"Hemingway’s Complicated â€Å"Enquiry† in ‘Men without Women. ‘. † Studies in Short Fiction 32. 2 (1995) Nolan, Charles J. Jr. â€Å"Hemingway’s Puzzling Pursuit Race. † Studies in Short Fiction 34. 4 (1997) Paul, Steve. â€Å"†Ã¢â‚¬ËœDrive,’ He Said†: How Ted Brumback Helped Steer Ernest Hemingway into War and Writing. † The Hemingway Review 27. 1 (2007) Paul, Steve. â€Å"Preparing for War and Writing What the Young Hemingway Read in the Kansas City Star, 1917-1918. † The Hemingway Review 23. 2 (2004) Stewart, Matthew C. â€Å"Ernest Hemingway and World War I: Combatting Recent Psychobiographical Reassessments, Restoring the War. † Papers on Language & Literature 36. 2 (2000) Tyler, Lisa. â€Å"Hemingway’s Italy: New Perspectives. † The Hemingway Review 26. 2 (2007)